Post #9 - Head Hopping
Novelists have a language of their own. “Head-hopping” is when the author jumps from the internal thoughts of one character to another within the same scene. This is a big no-no, and for good reason. It’s also a common mistake for new writers, like myself.
The problem with head-hopping is that it’s confusing for the reader when perspective jumps around so frequently. I also would think it detracts from the mystery and intrigue that contribute to a good story. If I, the reader, have unfettered access to the uncensored inner realm of every character simultaneously, there isn’t much left to wonder about.
Now, depending on the POV (Point of View) established for a story, multiple character perspectives can be allowed and even beneficial. But it has to be done correctly. A clear interruption in the text is warranted, with either a physical gap on the page to indicate a new scene or even a chapter break, between POVs.
This is something that I, as a reader, had never considered nor been aware of. I’ve taken many things for granted when consuming fiction. I appreciate now that authors (and editors) pay special attention to avoiding head-hopping for my benefit as the reader.
In the role of writer, I am obliged to follow this rule of isolated POV per section. With that said, it’s a rule that is one thing to know and another thing to follow consistently.
I feel like I’ve set myself up to take a pledge to avoid head-hopping as if I’m being sworn into office. But let’s not take things so seriously. I just thought this was an interesting thing to come across in the writing process. And it makes me appreciate good books all the more. Maybe, just maybe, it’ll inspire a similar appreciation from you.
You’re welcome.
